Roberto HG

SOUND EDITOR DESIGN AND FINAL MIXING

Roberto HG. Madrid, Spain 1975

Education:

• 2000 – ECAM Madrid Professional studies of sound for cinema.

Main Works within short and long films scene:

• “Ba bai: The eight hundred” (2019, China) by Hu Guan.
•  “The price of progress” (2019, Spain) by Víctor Luengo. Sound editor, design and final mixing.
  
• “La Gallina Turuleca” (2019, Spain-Argentina) by Eduardo Gondell and Víctor Monigote. Sound editor, design and final mixing (Animatic).
• “Hijas de Cynisca” (2019, Spain) de Beatriz Carretero. Sound editor, design and final mixing.
  
• “Carmen y Lola” (2018, Spain) de Arantxa Echevarria. (Quincena de Realizadores del Festival de Cannes 2018, Goya Mejor Dirección Novel 2018, Violeta de Oro en el Festival Cinespaña de Toulouse 2018, etc) Dialogues editor
  
• “Ola de crímenes” (2018, Spain) by Gracia Querejeta. Ambient sound editor.
  
• “Bécquer y las brujas” (2018, Spain) by Elena Cid. Sound editor, design and final mixing.
  
• “An accidental zombie named Ted” (2017, EEUU) by Anne Welles. Sound editor, design and final mixing.
  
• “Ilusión” (2013, Spain) by Daniel Castro (Biznagas a Mejor Película, Guión y Película Jurado Escuelas de Cine del Festival de Málaga 2013). Sound editor, design and final mixing.
  
• “Asier ETA biok” (2013, Spain) de Aitor by Amaia Merino (Premio Irizar en el Festival de San Sebastián 2013). Sound editor, design and final mixing.
  
• “Mañana podría estar muerto” (Spain 2013) by Joako Escaso. Sound editor, design and final mixing.